A last London Film Festival report. Here's a conversation with David from Victim of the Time on another LFF film. This one is on Cate Shortland's follow up to her 2004 debut Somersault, Lore.
A story about the children of Nazis struggling across a Germany
occupied by Allied forces is several thousand miles away from what you’d
imagine director Cate Shortland’s wheelhouse is. But Lore’s focus on the burgeoning sexuality and voyage to adulthood of a teenage girl is strikingly similar to Shortland’s debut Somersault -
so much so that lead actress Saskia Rosendahl often reminded me of
Abbie Cornish in her often abrupt movement and slightly displaced screen
presence. That might be how I’d describe Lore itself
- it never feels truly present or powerful. Instead it filters the
story through meaningful objects and eerie poetic interludes, and while
this is a method of storytelling I’m certainly not averse to, it didn’t
work for me in this case...
Read the rest here